Star-Studded Sing-a-Long Raises $5 Million for Historic Apollo Theatre
Star-Studded Sing-a-Long Raises $5 Million for Historic Apollo TheatreAug 26
Since it first opened in 1934, the Apollo Theatre has been a hotspot for African American culture—particularly music. Its amateur night has been the starting point for many big names in music, including Ella Fitzgerald, Billie Holiday, Bill Cosby, and Lauryn Hill. These days, the theater relies on generous donations to keep its legacy going. That’s why billionaire Ron Perelman’s seventh annual fundraiser is so important.
On August 20, Perelman’s “little barn in the Hamptons” was filled with big names from a variety of entertainment and business backgrounds, including comedian Chris Rock, singer/actress Jennifer Lopez, and private equity guru Henry Kravis.
Guests paid $10,000 to mingle among the stars and hear live music performances by Lionel Richie (who led sing-a-longs to his hits), The Roots, Gwen Stefani, and Joe Walsh. But there was a purpose beyond fun—to raise funds for the Apollo Theatre.
“We’ve got to break the divide between the haves and have-nots, the rich and the poor,” Perelman told his guests. “I think we can manage to do it with the arts….And the Apollo can do that better than any other institution I’ve been involved with.”
The theater that was to become the historic Apollo was built in Harlem, New York in 1913 by Jules Hurtig and Harry Seamon. The two burlesque operators ran it as Hurtig and Seamon’s New Burlesque Theater. In 1928 Bill Minsky bought the building and renamed it the 125th Street Apollo Theatre. Even though Harlem was becoming the epicenter of African American culture by that time, audiences and entertainers at the theater were entirely white.
That all changed on January 26, 1934, when new owners Sydney S. Cohen and Morris Sussman reopened the Apollo as a theater specifically meant to showcase black performance. Its “amateur night” became a popular feature, creating space for the first performances for many who went on to become big names in the music industry.
The Apollo is now officially a landmark building, drawing an estimated 1.3 million visitors every year.
Perelman’s annual fundraiser provides the Apollo with regular funds—this year, about $5 million—to continue its support of the African American art scene in New York.